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新托福TPO17阅读原文及译文(二)

新托福TPO17阅读原文及译文(二)
新托福TPO17阅读原文及译文(二)

新托福TPO17阅读原文(二):Animal Signals in the Rain Forest

TPO17-2:Animal Signals in the Rain Forest

The daytime quality of light in forests varies with the density of the vegetation, the angle of the Sun, and the amount of cloud in the sky. Both animals and plants have different appearances in these various lighting conditions. A color or pattern that is relatively indistinct in one kind of light may be quite conspicuous in another.

In the varied and constantly changing light environment of the forest, an animal must be able to send visual signals to members of its own species and at the same time avoid being detected by predators. An animal can hide from predators by choosing the light environment in which its pattern is least visible. This may require moving to different parts of the forest at different times of the day or under different weather conditions, or it may be achieved by changing color according to the changing light conditions. Many species of amphibians (frogs and toads) and reptiles (lizards and snakes) are able to change their color patterns to camouflage themselves. Some also signal by changing color. The chameleon lizard has the most striking ability to do this. Some chameleon species can change from a rather dull appearance to a full riot of carnival colors in seconds. By this means, they signal their level of aggression or readiness to mate.

Other species take into account the changing conditions of light by performing their visual displays only when the light is favorable. A male bird of paradise may put himself in the limelight by displaying his spectacular plumage in the best stage setting to attract a female. Certain butterflies move into spots of sunlight that have penetrated to the forest floor and display by opening and closing their beautifully patterned wings in the bright spotlights. They also compete with each other for the best spot of sunlight.

Very little light filters through the canopy of leaves and branches in a rain forest to reach ground level—or close to the ground—and at those levels the yellow-to-green wavelengths predominate. A signal might be most easily seen if it is

maximally bright. In the green-to-yellow lighting conditions of the lowest levels of the forest, yellow and green would be the brightest colors, but when an animal is signaling, these colors would not be very visible if the animal was sitting in an area with a yellowish or greenish background. The best signal depends not only on its brightness but also on how well it contrasts with the background against which it must be seen. In this part of the rain forest, therefore, red and orange are the best colors for signaling, and they are the colors used in signals by the ground-walking Australian brush turkey. This species, which lives in the rain forests and scrublands of the east coast of Australia, has a brown-to-black plumage with bare, bright-red skin on the head and neck and a neck collar of orange-yellow loosely hanging skin. During courtship and aggressive displays, the turkey enlarges its colored neck collar by inflating sacs in the neck region and then flings about a pendulous part of the colored signaling apparatus as it utters calls designed to attract or repel. This impressive display is clearly visible in the light spectrum illuminating the forest floor.

Less colorful birds and animals that inhabit the rain forest tend to rely on other forms of signaling other than the visual, particularly over long distances. The piercing cries of the rhinoceros hornbill characterize the Southeast Asian rain forest, as do the unmistakable calls of the gibbons. In densely wooded environments, sound is the best means of communication over distance because in comparison with light, it travels with little impediment from trees and other vegetation. In forests, visual signals can be seen only at short distances, where they are not obstructed by trees. The male riflebird exploits both of these modes of signaling simultaneously in his courtship display. The sounds made as each wing is opened carry extremely well over distance and advertise his presence widely. The ritualized visual display communicates in close quarters when a female has approached.

TPO17-2译文:雨林中的动物信号

森林中白天的光照质量随着植被密度、太阳角度以及天空中云的数量的变化而变化。在不同的光照条件下,动植物会有不同的表现。在某种光照下相对较难辨认的颜色或式样,在另外一种光照下也许会变得相当显眼。

在多样和不断变化的森林光照环境下,动物必须能够发送视觉信号给自己的同类,同时避免被捕食者发现。动物可以选择最不易看得见的光照环境来躲避捕食者的视线。这就要求动物能在白天不同的时间或者在不同的天气条件下移动到森林的不同方位,或者,它们也可以根据不同的光照来改变自身的颜色。很多两栖动物(青蛙和蟾蜍)和爬行动物(蜥蜴和蛇)都可以通过改变颜色图案来伪装自己。有些动物还通过改变颜色来发出信号。变色龙在这方面有着最惊人的能力。有些变色龙物种可以在几秒钟之内就把暗淡的外表变得灿烂夺目。通过这种方式,它们可以传达出攻击程度和交配意愿。

其他的物种则只有在光照对它们有利的时候才会利用光照,来进行视觉上的自我展现。雄性极乐鸟会置身于汇聚的光线之下,在最佳的场景中展现自己缤纷绚烂的羽翼,以吸引雌鸟的注意。某些蝴蝶则飞到穿透森林的太阳光点处,,在明亮的光点中扇动着带有美丽图案的翅膀来展现自己。它们还会互相争夺最佳的光照位置。

很少有光能够穿透热带雨林的树冠层到达地平面——或是接近地面——而能达到底部的主要是黄绿光波。如果是色彩极为明亮的信号,可能更容易被看见。在森林底层的黄绿光照条件下,黄色和绿色是最明亮的颜色,但是当动物发送信号时,如果处于浅黄或浅绿的背景下,这些颜色就不容易看到了。最佳的信号不仅取决于其明亮度,还在于它与背景颜色的对比度。因此,在热带雨林这块区域,红色和橙色是最佳的信号颜色,而这也是地面行走的澳大利亚灌丛火鸡最善于使

用的信号颜色。这个物种生活在澳大利亚东海岸的雨林和灌木丛中,长着黑棕色的羽毛,有着光秃秃、亮红色的头和脖子,颈圈上是一层橙黄色的松垮垮的皮。在求爱期和发起进攻时,火鸡通过给颈部液囊充气扩张颈圈,晃动着下垂的鲜艳的信号装置,随之发出叫声来吸引异性或击退敌人。在照亮雨林底层的光谱环境下,能够清晰地看到这种让人印象深刻的展示。

对于生活在热带雨林中的色彩不那么鲜艳的鸟类和动物来说,它们则倾向于发出其他形式的信号而非视觉信号,尤其是在跨越长距离时。比如说,东南亚雨林中极有代表性的能发出尖锐叫声的犀鸟和叫声清厉的长臂猿。在树木繁茂的环境中,声音是最好的跨距离传播手段。因为,相较于视觉信号,声音几乎不受树木和其他植被的干扰。在森林中,只能在不被树木阻挡的近距离地方看到视觉信号。雄性极乐鸟在求爱期则同时运用了这两种信号传送方式。它张开翅膀时发出的声响能够极好地传送到远距离之外,铺天盖地地宣传着它的仪表风采。而当雌鸟吸引而来时,它那仪式化的视觉展现就得以近距离地进行交流。

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托福写作翻译句子练习集团文件发布号:(9816-UATWW-MWUB-WUNN-INNUL-DQQTY-

1. 旅游业不但给政府带来税收而且给很多人提供了就业机会。 2. 赌博不但对健康有害,而且会影响家庭和睦。 3. 打工不但能让学生赚零花钱,而且还能让他们学到人际交往的能力。 4. 现在很多学校的校服不但贵,而且还难看,质量不好。 5. 政府不但要多建一些公路,还要鼓励人们多使用公交车。 6. 老人们既不需要很多的钱,也不需要很大的房子,他们最需要的是子女的关心和照顾。 7. 我喜欢旅游,但是,我既没有钱,也没有时间。 8. 在老人院,老人既能够接受到医疗,又能够找到很多有共同话题,共同兴趣的的伙伴。 9. 缴税既是有有利于国家,也是有利于个人。因为政府的税收主要用于公共服务,这个是每个人都会受益的。 10. 打电脑游戏既浪费时间,又有害视力。

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托福TPO52 三篇阅读翻译!!倒序!!

3.Early Food Production in Sub-Saharan Africa 在更新世末期(大约公元前10000年),食品生产的技术可能已经在非洲西部和中部 的热带雨林的边缘地区使用,在那里非洲山药等根茎型植物的普遍使用,使人们认识到自己种植食物的好处。这种原始形式的“蔬菜栽培”(块根植物和树本作物的种植)可 能已经成为了一种经济传统,基于这种传统,夏季降水谷类作物的种植也采用嫁接的办法,这种种植技术已经在撒哈拉沙漠南部边界地区的草原南部被使用。随着撒哈拉 沙漠在公元前5000年之后干涸,游牧民族(牧民)向南沿着主要河道迁移到了西非和苏丹的热带草原地带。 直到公元前3000年,正如埃及文明发源于尼罗河流域一样,这些游牧民族定居在了离南部很远的东非高原地区的中心。东非高原是理想的养牛场所,如今也是像马赛人(肯尼亚和坦桑尼亚的游牧狩猎民族)这样的有名的牧牛民族的家园。直到大约公元前3300 年,第一批牧牛人出现时,高地上居住着狩猎采集者,他们居住在平原附近的山区。和其他地方的情况一样,在非洲,牛是饲养起来很费劲的动物。如果要饲养各种规模 的牛群的话,这些牛至少每24小时就需要喝一次水,而且需要大片的牧场。饲养的秘 诀在于仔细挑选放牧场地,尤其是在季节性降雨会导致全年牧草质量有明显差异的环境中。即使是规模适中的牛群也需要大片的土地和相当大的可移动性。为了获得这样的土地,经常需要牛群移动相当远的距离,甚至是从夏季牧场移动到冬季牧场。同时,放牧人不得不让牲畜在有舌蝇出没的地带吃草。唯一能够保护人类和牲畜,不患上昏 睡病(一种由舌蝇传播的疾病)的办法,就是避免在这些地区定居或者放牧——对非 洲东部和中部地区的牧民来说,这个办法严重地限制了他们的迁移。结果是,小牛群迅速地向南部地区迁移,在那里人们可以放牧。在谷类农业占领最南部的撒哈拉沙漠之前,非洲东部和南部稀树草原地区的一些依靠狩猎和采集生活的人可能已经饲养了牛群和其他家养动物,他们将牲畜作为礼物交换,或者通过劫掠放牧的邻居,来获得这些牲畜。 和主流观点相反:没有所谓的“纯粹”的牧民,即只依靠牧群生存的社会。撒哈拉沙漠地 区为了躲避干旱而向南迁移的牧民,几乎肯定的是他们也在种植高粱、小米和其他热带降雨作物。到公元前1500年,谷类作物已经广泛分布于整个撒哈拉沙漠南部的稀树 草原带。小型农业社区遍布在草原和西非东部森林的边界处,这些小型农业社区都依赖于所谓的轮耕法。这种形式的农业包括清理林地,焚烧清理过的地块上的那些被砍倒的灌木丛,将灰烬混合在土壤中,然后在这些制备好的土地上耕种。几年后,土地耗尽了养分,于是农民们继续前进,开辟新的林地,让原来的荒地休耕。轮耕法,也 被称为“刀耕火种”,高度适用于没有犁的稀树草原地区的农民,因为这种方法能够消耗 最少的能量。

新托福TPO11阅读原文及译文(一)

新托福TPO11阅读原文(一):Ancient Egyptian Sculpture TPO11-1:Ancient Egyptian Sculpture In order to understand ancient Egyptian art, it is vital to know as much as possible of the elite Egyptians' view of the world and the functions and contexts of the art produced for them. Without this knowledge we can appreciate only the formal content of Egyptian art, and we will fail to understand why it was produced or the concepts that shaped it and caused it to adopt its distinctive forms. In fact, a lack of understanding concerning the purposes of Egyptian art has often led it to be compared unfavorably with the art of other cultures: Why did the Egyptians not develop sculpture in which the body turned and twisted through space like classical Greek statuary? Why do the artists seem to get left and right confused? And why did they not discover the geometric perspective as European artists did in the Renaissance? The answer to such questions has nothing to do with a lack of skill or imagination on the part of Egyptian artists and everything to do with the purposes for which they were producing their art. The majority of three-dimensional representations, whether standing, seated, or kneeling, exhibit what is called frontality: they face straight ahead, neither twisting nor turning. When such statues are viewed in isolation, out of their original context and without knowledge of their function, it is easy to criticize them for their rigid attitudes that remained unchanged for three thousand years. Frontality is, however, directly related to the functions of Egyptian statuary and the contexts in which the statues were set up. Statues were created not for their decorative effect but to play a primary role in the cults of the gods, the king, and the dead. They were designed to be put in places where these beings could manifest themselves in order to be the recipients of ritual actions. Thus it made sense to show the statue looking ahead at what was happening in front of it, so that the living performer of the ritual could interact with the divine or deceased recipient. Very often such statues were enclosed in rectangular shrines or wall niches whose only opening was at the front, making it

新托福TPO26阅读原文及译文(一)

新托福TPO26阅读原文(一):能源与工业革命 TPO26-1:nergy and the Industrial Revolution For years historians have sought to identify crucial elements in the eighteenth-century rise in industry, technology, and economic power known as the Industrial Revolution, and many give prominence to the problem of energy. Until the eighteenth century, people relied on energy derived from plants as well as animal and human muscle to provide power. Increased efficiency in the use of water and wind helped with such tasks as pumping, milling, or sailing. However, by the eighteenth century, Great Britain in particular was experiencing an energy shortage. Wood, the primary source of heat for homes and industries and also used in the iron industry as processed charcoal, was diminishing in supply. Great Britain had large amounts of coal; however, there were not yet efficient means by which to produce mechanical energy or to power machinery. This was to occur with progress in the development of the steam engine. In the late 1700s James Watt designed an efficient and commercially viable steam engine that was soon applied to a variety of industrial uses as it became cheaper to use. The engine helped solve the problem of draining coal mines of groundwater and increased the production of coal needed to power steam engines elsewhere. A rotary engine attached to the steam engine enabled shafts to be turned and machines to be driven, resulting in mills using steam power to spin and weave cotton. Since the steam engine was fired by coal, the large mills did not need to be located by rivers, as had mills that used water- driven machines. The shift to increased mechanization in cotton production is apparent in the import of raw cotton and the sale of cotton goods. Between 1760 and 1850, the amount of raw cotton imported increased 230 times. Production of British cotton goods increased sixtyfold, and cotton cloth became Great Britain’s most important product, accounting for one-half of all exports. The success of the steam engine resulted in increased demands for coal, and the consequent increase in coal production was made possible as the steam-powered pumps drained water from the ever-deeper coal seams found below the water table.

新托福真题TPO27阅读翻译及词汇整理

智课网TOEFL备考资料

新托福真题TPO27阅读翻译及词汇整理 摘要:新托福真题TPO27阅读翻译及词汇整理,下面是小马过河为同学们搜集整理的新托福真题TPO27阅读翻译及词汇整理的相关信息,小马小编整理过来,供同学们参考。 Crafts in the Ancient near East古代近东的手工艺 本文为最新的托福真题TPO第27套阅读第一篇,文章反映了托福“古代社会文明”类型的阅读的特点,阅读中的学科词汇很典型,对我们准备托福的阅读有很重要的参考意义,备战托福的同学不可错过。 学科词汇总结words craft手工艺 urban城市的 civilization 文明 settlement定居点 agriculture农业 pottery实用陶器 textile纺织品

mold模具 carve雕刻 relief浮雕 clay粘土 utilitarian实用的 elaborate精心制作的 refined精制的文章翻译translation 一、人类历史上的第一个城市乌鲁克兴起。 Some of the earliest human civilizations arose in southern Mesopotamia, in what is nowsouthern Iraq, in the fourth millennium B.C.E. In the second half of that millennium, in thesouth around the city of Uruk, there was an enormous escalation in the area occupied bypermanent settlements. A large part of that increase took place in Uruk itself, which became areal urban center surrounded by a set of secondary settlements. While population estimatesare notoriously unreliable, scholars assume that Uruk inhabitants were able to supportthemselves from the agricultural production of the field surrounding the city, which could bere ached with a daily commute. But Uruk’s dominant size in the entire region, far surpassingthat of other settlements, indicates that it was a regional center and a true city. Indeed, it wasthe first city in human history.一些人类最早的文明崛起于公元前四千年的米索达比亚的南部(如今的伊拉克南部)。在公元前四千年的后半期,在乌鲁克城的南部附近被永久定居点占据的区域急剧的增加, 大部分的增长都发生在乌鲁克城内,使其成为了一个真正的城市中心并被一些次要的定居点包围着。虽然众所周知人口估计数是不可靠的,学者们认为乌鲁克居民每天往返城市和城市周边的田地,可以通过周边田地的农业生产来

托福OG TEST 2——green icebergs原文翻译。解析

绿色冰山 冰山就是巨大的冰块,它们的形状各不规则;他们在海面上所呈现出来的部分大概只有总量的12%。冰山是由冰川----从格陵兰岛, 南极洲, 和阿拉斯加的内陆降雪开始积累成为大河中的冰----然后缓慢流入海洋。向前的移动,在进入海洋的时候冰川底部的融化,和波浪与潮汐变化造成了冰块的断裂从而漂浮在海上。 冰山的颜色一般是从蓝到白,虽然有时会因为他们带有砂砾和石块而显得颜色很深或不透明。在不同情况的光和云量下,它们的颜色呈现可能会随之不同,如在早晨和傍晚的阳光下所呈现的耀眼的粉色或金色,但这个颜色变化大致与太阳位于海平面上的低角度有关。不管怎样,总会有到南极洲的旅游者们报告说在Weddell Sea看到了绿冰山,南极洲东部Amery Ice Shelf的附近则更为常见。 对于绿冰山的颜色的一个解释是由于纯冰被接近海平面的太阳所照射而造成的错觉,但是绿冰山在很多不同状态的阳光下都能从白色和蓝色冰山中区分出来。另一个解释就是,它的颜色可能与冰里面所含高浓度的金属化合物有关,比如铜和铁。进来的探险队从南极洲的冰架上带回了一些绿色冰山和冰核的样本----到达深度的垂直圆柱型的冰的样本。对这些冰核和样本的分析给问题提供了一个不一样的解决方法。 215米长的冰架核已经足够用来穿透由压缩的雪组成,并含有气泡的流动冰,并随后穿透在流动冰的底部由冻结的海水形成的清透的没有气泡的冰。这个清透的冰的性质与绿冰山上的冰十分相似。科学家总结出,绿冰的构成是在两层的架冰分开并翻转过来时,暴露出的没有气泡的海水冰。 一个在Amery Ice Shelf西部滞留的绿冰山呈现出了两个明显的层:含有气泡的白蓝色冰,和没有气泡的绿色冰,它们中间是由1米长的带有沉积物的冰分隔开的。海水的侵蚀决定了绿色冰的质地。由于光的分散,裂痕处的颜色是浅绿的;而没有裂痕的地方是深绿色。绿色冰中是没有气泡的,因为它是由冻结的海水所构成,而不是压缩的雪。沿着这个地区冰架的边缘,可以发现,带有绿色色素的单细胞生物非常多,而且海水里面含有它们丰富的分解有机物质。绿冰山虽没有包含很多这些生物体的微粒,但从海水中所积累的分解有机物质还是很多的。不同于盐,分解有机物质并没有在结冰过程中被排除掉。分析表明,分解的有机物质会从太阳光中吸收足够的蓝波段,从而使冰呈现出绿色。 化学证据表明冰的小盘(微小的平面部分)是在水中构成,然后共生并附着在冰架底部形成一个slush (部分融化的雪)。Slush被一种未知的原理压缩成冰,而这种固体,没有气泡的冰形成于可溶解的有机物质多的水。当冰山从冰架上分离并翻转过来时,绿色冰便呈现出来了。 GREEN ICEBERG 1. 排除法,第一句说irregular shape,所以A正确,不选;第一句还说12% above sea surface,所以C说反,选;最后一句说了B和D两个答案,对,不选 2. 以dark or opaque做关键词定位至第一句,because后面是原因,很明显答案是B

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