翻译赏析
原文：
His face turned from white to red as he continued:
“If some one loves a flower, of which just one single blossom grows in all the millions and millions of stars, it is enough to make him happy just look at the stars. He can say to himself, ‘S omewhere, my flower is there…’but if the sheep eats the flower, in one moment all his stars will be darkened… and you think that is not important!”
He could not say anything more. His words were choked by sobbing.
——《The Little Prince》译文：
他的脸色气得发红，接着说道：
“若有人爱上了开在亿万星星上的一株花，那么看着星星就足以使他感到幸福，他对自己说：‘我的那朵花就在其中某处……’但羊若是吃掉了花，对她来说，仿佛所有的星星一下子全部消失了！这难道也不重要吗？“
他再也说不下去了，突然抽泣起来。
王之光/译
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2015-2016上学期英汉翻译复习资料 考试题型：理论填空（10%）、习语翻译（10%）、句子翻译（30%）、语篇翻译（50%）（有的只需翻译划线部分，请注意！） 考试时间：2016.1.21 10：40-12：20 一、填空，共5小题 1. 1964年, 奈达博士在《翻译科学初探》(Toward a Science of Translating)一书中 将译文读者引入翻译标准，提出了功能对等翻译的翻译原则。 2. 英语长难句汉译方法有：顺译法、逆译法、拆译法和综合法。 3. 按翻译手段而言，翻译可分为：口译（又可分为即席翻译和同声传译）、笔 译、机器翻译等。 4. 汉语主要靠词序（按时间先后，因果先后等逻辑顺序）和内在意义结合，汉 语没有或极少使用衔接手段，属意合语言（语义的意会性）。 5. 20世纪50年代初，傅雷在《〈高老头〉重译本序》中提出了“所求的不在 形似而在神似”的重要观点；60年代初，钱钟书在《林纾的翻译》中提出了“化境”的翻译标准。 6.18世纪末叶，英国爱丁堡大学历史学教授、翻译理论家泰特勒在《翻译原 理简论》一文中提出了“翻译三原则”，此三原则与严复的信达雅有异曲同工之妙。 7. 中国译论中不同时期的翻译标准可大致描述为：案本—求信—神似—化境— 忠实、通顺—翻译标准多元互补论。 8. 受“中庸”哲学思想的影响，中国人的美学观念中特别强调平衡美，所以汉 语中除了极为频繁使用对仗这一修辞格，还大量使用四字词组。在英汉互译中要时刻考虑汉语这一特点。 9. 辜正坤在全国首届翻译理论研讨会上提出了“翻译标准多元互补论”，在该 理论体系中，提出了翻译的最高标准是最佳近似度，这是一个形同虚设的抽象标准，真正有意义的是一大群具体标准。 10. 根据源语和目的语进行分类，翻译可分为语内翻译、语际翻译和符际翻译。
许渊冲翻译理论及作品分析
许渊冲翻译理论及作品分析 外国语学院 115班 3号 冯奕璇 许渊冲翻译理论及作品分析
在上了名家名篇赏析这门课之后，我们都知道了在中国古诗词翻译中，许渊冲有“诗译英法唯一人”的称号，同时他还总结了自己的诗词翻译理论。下面就让我们分析一下许渊冲先生的翻译理论以及他的作品。 首先是许先生所提出的“三美”理论，“三美”即意美、音美、形美。所谓意美，就是在翻译时要体现出原作的内容美；音美即要求译文押韵、顺口、好听；形美则是对诗的行数长短整齐，句子对仗工整的要求。以他翻译的《关雎》为例，“关关雎鸠，在河之洲。窈窕淑女，君子好逑”译文为“By riverside are cooing. A pair of turtledoves. A good young man is wooing. A fair maiden he loves”，先说意美，关关雎鸠的意思是“关关鸣叫的水鸟”，许先生的译文中用了“cooing”这个单词来表示水鸟，运用了“拟声”的修辞手法，将水鸟鸣叫这一景象描写的惟妙惟肖，“拟声”的手法同时也表现出了原文《关雎》的活泼的感觉，而“turtledoves”既有斑鸠的意思，也有情人的意思，暗示了这首诗为一首情诗，符合原文的意境。许先生用“a good young man”而不是“gentleman”表现出了原文“民俗歌谣”的特点，洒脱，不拘泥于形式。再说音美，译文中第一句的词尾“cooing”和第三句的词尾“wooing”读音相似，第二句的词尾“turtledoves”和第四句词尾“loves”读音相似。在音节上，第一句为七个音节，第二句五个，第三句又是七个，第四句五个。一三句押韵，二四句押韵，读起来朗朗上口，符合“音美”这一特点。第三个特点是“形美”原诗中四字一句，对仗极其工整，译文中也维持在四到六词一句，共四行，和原诗相符。 以上就是我所认为的许渊冲先生的“三美”理论，除了“三美”理论之外，许先生还提出了另外一个著名的翻译理论“三化”理论。“三化”即“深化，等化，浅化”。“深化”就是原文为抽象、一般性的语言，译文则用形象、具体的语言对译，包括加词、分译等。“浅化”是原文为形象、具体的语言，译文则用抽象、一般性的语言对译，包括减词、“合译”等。“等化”基本上是采用直译的方法，原文为形象、具体的语言，译文也用相同形象、具体的语言。原文为抽象、一般性的语言，译文也保持相同抽象、一般性的语言，包括换词、“反译”等方法。以我们课上所学的许先生翻译的李商隐的《无题》为例。“相见时难别亦难，
英语美文欣赏带翻译
Friends or 'Enemies?' When I was younger, my Dad used to tell me: "Boys don't want to be your friend." He then left the rest to my imagination. At the time, I didn't agree. I thought: I can crack a good joke, I know how to shoot a hoop, and I'm a cheerful person (but not in an annoying way). What kind of boy wouldn't want to be around that kind of girl? Turns out, my Dad was right. Not to be all "Samantha Brick" about it, but in my experience, single, heterosexual men aren't actively looking for an exclusively platonic relationship with a woman they find sexually attractive. This of course is not a revolutionary concept. In fact, it seems pretty natural to me. Now, I will be the first to say that it is really and truly the most wonderful thing in the world if the attraction is mutual. But the Powers That Be seem to like to play these complicated little mating games with humans where the guy we want to re-enact scenes from 9? Weeks with sees our attractiveness level as akin to that of a discarded dishcloth, and the most physical we could see ourselves being with the guy who actually likes us is a game of ping pong over an especially long table. All of which means that someone usually ends up getting rejected. I'm sure I'm not alone when I say I have struggled with the scenario where I am not interested in a man romantically, but I want to keep him as a friend because he is funny and I enjoy his company, or he has shown himself to be that rare specimen known as "a nice, genuine person, " or he simply doesn't mention his therapist in every other sentence. Rather than string him along and give him hope, I feel compelled to somehow communicate to him sooner rather than later that we'll just be staying friends, nothing more. Otherwise, I think I am being unfair to him. Why should he waste his romantic stamina on me when there are loads of other single women out there who might fall instantly in love with him? The thing is, it can sometimes be tricky to reject a man and keep him as a friend. If the operation is not executed carefully, you may end up creating a "menemy." It requires a certain amount of skill to be able to turn down a man's sexual advances or romantic gestures and then get him to agree to meet you for blueberry pancakes the following weekend and chat about the latest Woody Allen film. Some men aren't satisfied with just that. I'm not clear why. What's so bad about friendship? Everyone needs buddies. But I've seen men react poorly or simply fall off the face of the earth. I get it -- their feelings are hurt. None of us likes getting rejected. But in my experience, some men find it especially soul-crushing. I am only bringing all of this up because I recently had to go through this scenario again. I had spent some time cultivating a friendship with a man who, in my defense, I thought was gay. So I didn't see the harm in him buying me the occasional falafel, or accepting an invitation to see a film with him. Isn't that what friends are for? But a mutual friend shed light on his sexual orientation (straight) and suggested that his intentions -- and attentions -- weren't platonic. He had never "made the moves" but now it was all crystal clear -- that explains the way he had looked at me that time the tahini sauce dribbled down my chin! Since he had clearly been too timid to express his feelings, I thought I would be clever this time and subtly mention the dates I had been going on, focusing on the one guy I was kind of keen on, so that he would know that I was "unavailable" for heavy petting and those sorts of activities, but that I was available for things like roller skating, falafel-eating and shooting the breeze. Doesn't that sound nice? That way, he would known not to try to lean in for a kiss, and I wouldn't have to pull the Stevie Wonder dance and dodge him went he went for it. It was like pre-rejection, yet I was sparing his feelings because he didn't even have to put himself out there! I really thought I was being brilliant. It backfired, of course. Said man ended up sending me an email rant accusing me of being insensitive by talking about other men when he had "feelings for me." As if I am psychic, by the way, just because I am a woman! How was I supposed to know that? I think in his mind we were dating. In my mind, he was my new gay BFF. In the end, I got mad at him for getting mad at me, and now the friendship has ended. And I have created yet another "menemy." Look, I have also tried the direct thing: "I really like you, but only as a friend, " but you can only do that when the guy has made his intentions clear, and in my experience, they either cope okay (though rarely do I feel much enthusiasm for friendship after that), or they really don't cope well. I also tried the thing where you make them think they are rejecting you, but it gets quite confusing and only works if the guy isn't very sharp, and why would I -- or you -- be hanging out with someone not that sharp in the first place? As we all remember, Billy Crystal's character says men and women can't be friends in When Harry Met Sally because the sex stuff gets in the way. I do have single, male, heterosexual friends with whom I have an easy, non-romantic rapport, but I honestly don't know if they would walk away if I was sprawled naked on a bed calling out to them. I may not be everybody's cup of tea, but sometimes, I wonder if they wonder. And they may wonder if I wonder. If so, I hope they'll keep it to
翻译实践与评析范文简要
【育才毕业作品（翻译实践与评析）范文简要】 （中文封面页） 西南大学育才学院 本科毕业作品 《欧洲的前景：临近眼前的深渊》翻译与评析 学院外国语学院 专业英语 年级2008级 学号 姓名 指导教师 成绩 二○一二年四月
（英文标题页，单独用一页） Translation and Comments on The Future of Europe: Starring into the Abyss （论文作者名，斜体） Supervisor （指导教师名，斜体） A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of B. A. in English SCHOOL OF FOREIGN LANGUAGES YUCAI COLLEGE SOUTHWEST UNIVERSITY April, 2012
（致谢，单独用一页，向指导教师及相关人员致谢） Acknowledgements Firstly, I would like to show my deep gratitude and respect to my supervisor …for her / his careful guidance and hard work. Her /His experienced suggestions and continual encouragement have guided me through all my writing process of this paper. Without her /his guidance and assistance, the completion of this thesis would have been impossible. Secondly, I want to express my heartfelt gratitude to the professors and teachers of The School of Foreign Languages …who instructed and helped me a lot in the past half and three years. Finally, I wish to thank my parents and friends, whose spiritual and practical support ensures my courage in face of difficulties.
人教版七年级下册古诗及译文赏析
1 / 12 第一首： 山中杂诗年代：南北朝作者：xx 山际见来烟，竹中窥落日。 鸟向檐上飞，云从窗里出。 译文： 山峰上缭绕着阵阵的岚气云烟竹林的缝隙里洒落下夕阳的余晖 鸟儿欢快地在屋檐上飞来飞去白白的云儿竟然从窗户里飘了出来。 赏析： 诗歌描写的是诗人住在山中的有趣生活：山峰环绕，竹木茂盛，鸟在人家的房檐上飞，云彩竟然从窗里飘出来。此幽居荡尽了人间的尘滓，随意而传神地表达了诗人惬意闲适的心情。 全诗不过短短四句，一句一景，然句句不离“山中”的主题。烟岚弥漫着山谷，在山峰间飘来荡去，这正是幽静深邃的山中所常见的现象。落日西沉，只能在竹林的间隙中窥见其脉脉的斜晖，由此可见竹林的茂密青葱，山间的幽趣在首两句中已曲曲传出。屋檐上的飞鸟来来往往，白云穿窗而过，都说明诗人所居之处地势高峻，而且在茂林修竹之中，群鸟时时栖息于其檐前屋后，体现了山居的清静超脱，远离尘嚣。 第二首：xxxxxx 独坐幽篁里，弹琴复长啸。
xx人不知，明月来相照。 注释 1.幽篁：幽是深的意思，篁是竹林。 2.啸：嘬口发出长而清脆的声音,类似于打口哨 2 / 12 3.xx：指“幽篁”。 4.相照：与“独坐”相应，意思是说，独坐幽篁，无人相伴，唯有明月似解人意，偏来相照。 译文： 独自坐在幽深的竹林里，一边弹着琴一边又长啸。深深的山林中无人知晓，皎洁的月亮从空中映照。 鉴赏： 这是一首写隐者的闲适生活情趣的诗。诗的用字造语、写景（幽篁、深林、明月），写人（独坐、弹琴、长啸）都极平淡无奇。然而它的妙处也就在于以自然平淡的笔调，描绘出清新诱人的月夜幽林的意境，融情景为一体，蕴含着一种特殊的美的艺术魅力，使其成为千古佳品。以弹琴长啸，反衬月夜竹林的幽静，以明月的光影，反衬深林的昏暗，表面看来平平淡淡，似乎信手拈来，随意写去其实却是匠心独运，妙手回天的大手笔。 这首诗同样表现了一种清静安详的境界。前两句写诗人独自一人坐在幽深茂密的竹林之中，一边弹着琴弦，一边又发出长长的啸声。其实，不论“弹琴”还是“长啸”，都体现出诗人高雅闲淡、
英汉翻译评析
评：在最后一句“回眸一笑百媚生，六宫粉黛无颜色”中，译者将“百媚”翻 译为“ full of grace ” ,在此处应取“ eleganee and beauty of movement expression ， a beautiful figure which she used in subtle movements unparalleled grace ”这一义，我认为此处强调的是“媚”这个字，这种美是无 人能比的，以至于六宫粉黛无颜色，所以在翻译之时，可以把这种媚翻译成魅 力，而且是“百媚”，此处“百”又不是真的“ hundred ”，而是一种“ end beauty, end of charm ”。 评：最后一句“六宫”翻译成six places 非常生硬，感觉没有体现中国古典文 化中六宫的含义。同时fairest face 也太过于字面化，没有什么美感。回眸直 接翻译为turning her head 也是过于直接，体现不出古典诗歌所要表达的美。 or of of 评：第二句杨家有女初长成中， womanhood just grow ，womanhood 略感多余，前面已经用 了 maiden ，意透露性别信息，无需再次强调女性身份，第三句中天生丽质难自弃，用 en dowed with n atural beauty, en dow 之嫌，一朝选在君王侧翻作 selected for the mon arch' 妃，回眸一笑百媚生，六宫粉黛无颜色有承接关系，觉得， 已有天生具有的意思，再用 natural 强调原生有语义赘余 s side,太过直译，可以意译为入宫为 that 放入前半句更好， that she turns her head, with a sweet and grace smile 。 评：诗歌标题“长恨歌”并非表达一种真正的恨意和痛苦， 的遗憾和悔恨。“ regret ”正好有“悔恨，遗憾”之意，“ 而是指唐明皇和杨贵妃无法长相厮守 everlasting ”正好表达岀了长久的意 味。许渊冲的翻译避免了直接翻译的直白， 又恰到好处地将两人无法长相厮守的遗憾表达得淋漓 尽致，十分贴切。 《长恨歌》翻译评析 长恨歌 许渊冲译 The Everlast ing Regret 汉皇重色思倾国，御宇多年求不得。 The beauty-lovi ng mon arch Ion ged year after year To find a beautiful lady without peer. 杨家有女初长成，养在深闺人未识。 A maide n of the Yan gs* to woma nhood just grow n. In inner chambers bred, to the world was unknown. 天生丽质难自弃，一朝选在君王侧。 En dowed with n atural beauty too hard to hide, One day she stood selected for the mon arch ' s side. 回眸一笑百媚生，六宫粉黛无颜色。 Turning her head, she smiled so sweet and full of grace That she outsh one in six palaces the fairest face.
英语美文赏析 带翻译
(Reports on Britain Under the Bombs) Night after night, in the hot summer and early fall of 1940, a deep, steady voice came over the Atlantic Ocean from England to America, telling of England's battle for survival under the waves of German bombers. This strong and steady voice, an American voice with a slight accent of North Carolina, belonged to Edward R. Murrow, head of the European staff of the Columbia Broadcasting System. "This is London," said Murrow, while the bombs fell and flames spread on the streets of the city. His voice had a tone of sorrow for the suffering of that ancient city, and a tone of confidence, too -- a feeling of belief that London would be there, no matter what it had to endure. It could not be destroyed. The heavy raids began in the middle of August, and Nazi bombs started to fall along England's Channel Coast. The German bombers cast dark shadows over the white cliffs of Dover, and England's Home Guard prepared to fight on the beaches, on the cliffs, and in the hills, until the last Englishman died or the invaders were driven off. Air Marshal Goering's bomber pilots were sure of their ultimate triumph over England. Hitler and Goering believed that when London became a burned city like Warsaw and Rotterdam, England would surrender. But the English were more fortunate than the Poles in Warsaw and the Dutch in Rotterdam. They had the English Channel as a barrier against the Nazi ground forces, and they had the Royal Air Force(RAF) to battle the Nazis in the sky. The hardships of London really started in the first week of September, when Hitler was at last convinced that the English did not intend to give in. On September 7, 1940, nearly four hundred German bombers hammered the city with bombs in broad daylight. Marshal Goering boasted, "This is the historic hour when our air force for the first time delivered its bombs right into the enemy's heart." Fires burned, houses fell, gas pipes burst, and dark smoke rose from the streets. Men, women, and children felt the effect of the bombs. Radar sirens wailed, ambulances rushed from one place of agony to another, and fire fighters faced the flames hour after hour.